Meet Brea Holmes

We recently connected with Brea Holmes and have shared our conversation below.

Hi Brea, thank you so much for opening up with us about some important, but sometimes personal topics. One that really matters to us is overcoming Imposter Syndrome because we’ve seen how so many people are held back in life because of this and so we’d really appreciate hearing about how you overcame Imposter Syndrome.

Imposter Syndrome is the belief that you’re not meant to be in a certain space or doing a certain thing. There is this sense of “I have no right to be here” or “I don’t deserve to be here”. I fought with these ideals a lot, and I still do sometimes. However, the older I get the more I remind myself that God has put me into this space and time for a reason. The reason that I am here and doing what I’m doing is a gift that I was given.

Appreciate the insights and wisdom. Before we dig deeper and ask you about the skills that matter and more, maybe you can tell our readers about yourself?

Brea Holmes is an award-winning costume designer based in Los Angeles, known for her dynamic work across film, television, and music. A St. Louis native and graduate of Woodbury University’s BFA Fashion Design program with a concentration in costume design, Holmes has quickly emerged as a standout voice in the industry. Her portfolio includes collaborations with leading studios and networks such as Disney+, Marvel, Lionsgate, TNT, and Universal Music Mexico.

Holmes’ design philosophy blends storytelling with cultural nuance, creating costumes that feel both visually compelling and deeply character-driven. In 2024, she was named Costume Designer of the Year by Woodbury University and continues to build an impressive body of work as a member of IATSE Local 892. With a sharp eye and an evolving slate of high-profile projects, Holmes is redefining the future of costume design for a new generation of audiences.

If you had to pick three qualities that are most important to develop, which three would you say matter most?

Looking back, the three most impactful qualities in my journey have been adaptability, storytelling through design, and relationship-building.

Adaptability was essential from the start. Working across diverse formats—feature films, music videos, streaming series, and live showcases—meant learning how to shift gears quickly and respond creatively to different budgets, timelines, and visions. Early in my career, I embraced every opportunity, whether it was a passion project or a high-profile production. Each one sharpened my ability to problem-solve on the fly, which is key in costume design, where changes can happen at a moment’s notice.

Storytelling through design became my compass. I learned that costumes aren’t just about aesthetics—they’re narrative tools. Whether designing for a Marvel hero, a gritty indie character, or a pop star, I always ask: “What is this look saying about who they are and where they’ve been?” That mindset helps ground even the boldest visuals in character truth. I’d advise emerging designers to study screenwriting and character arcs alongside fashion; understanding story structure can deeply enhance your design choices.

Relationship-building has been equally crucial. Collaboration is at the heart of this work, and cultivating trust—with directors, actors, teams, and fellow designers—can open doors and elevate the creative process. I’ve found that generosity, clear communication, and respect go a long way in this industry. My advice: stay curious about the people you work with, not just the projects. The connections you build are just as important as the skills you bring.

For those just starting out, I’d say: stay open, stay grounded in story, and never underestimate the power of community. Each project is a stepping stone, and every experience teaches you something new.

One of our goals is to help like-minded folks with similar goals connect and so before we go we want to ask if you are looking to partner or collab with others – and if so, what would make the ideal collaborator or partner?

Yes, I’m always open to meaningful collaboration—especially with creatives who value storytelling, intentional design, and pushing visual boundaries. I’m particularly interested in working with directors, producers, and creatives who are developing projects with strong narrative voices—whether in film, television, music, or live performance. I’m drawn to stories that reflect underrepresented perspectives, bold aesthetics, or emotionally rich characters where costume can play a central narrative role.

Contact Info:

Image Credits

1. Award winning short “They’re Coming Tonight” directed by John Bonner. Available on Omeleto’s YouTube Channel.

2. Award winning short “It Happened: The Judy Tenuta Story directed by Taylor Blackwell

3. Short Film , “Good Boy” directed by Aidan Weaver

4. “Off The Yayo” Music Video by Kovei (Directed by Nick Andros

5. Short Film, “The Runaway” directed by Jordan McLaughlin

6. Short Film, “There’s a Devil Inside Me” directed by Karina Ripper

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