We’re looking forward to introducing you to Nicole DeMaio. Check out our conversation below.
Nicole, it’s always a pleasure to learn from you and your journey. Let’s start with a bit of a warmup: What is something outside of work that is bringing you joy lately?
Shortly after moving to NYC, my partner and I adopted a dog from Every Last One Rescue. Her name is Winifred and she’s a beautiful senior pit bull who was found on the streets. She loves to sit at my feet while I practice and forces me to get out of my apartment to go on walks in the park. I couldn’t imagine my life without her in it and love every minute I get to spend with her.
Can you briefly introduce yourself and share what makes you or your brand unique?
I’m Nicole DeMaio, a composer, multiple woodwind specialist, and music educator born in Bogotá, Colombia and now based in the New York City area. I play flutes, clarinets, saxophones, bassoon, oboe, and a range of world flutes, which has allowed me to build a career that moves fluidly across genres and artistic spaces.
I’ve performed on Broadway and Off-Broadway, toured nationally, and collaborated with artists ranging from Ariana DeBose and Gloria Gaynor to Yandel and Jordan Fischer. I’m also a member of The Broadway Sinfonietta, an all-women, majority women-of-color orchestra dedicated to amplifying underrepresented voices. I’ve performed in venues including the Hollywood Bowl, Carnegie Hall, Royal Albert Hall, and Lincoln Center.
As a composer, my music has been performed nationwide and recognized with several awards. I have recently been commissioned by the Yale School of Music, Classical Music Indy, and The Rivers School Conservatory. I also direct Black Sheep Contemporary Ensemble, where I focus on commissioning new music and creating interdisciplinary, community centered performances.
Education and mentorship are core to what I do. I have taught woodwinds at Monmouth University, Kent Place School, and Far Brook School, and I’m committed to supporting the next generation of artists. I run a private lesson studio, both in Washington Heights and virtually.
Great, so let’s dive into your journey a bit more. What relationship most shaped how you see yourself?
The relationship that most shaped how I see myself is the one I had with my grandparents. Their unconditional love, patience, and belief in me deeply influenced my sense of identity from an early age. They were the first people who made me feel that my creativity mattered. They always let me play piano and clarinet for them, celebrating every small milestone, and cheering me on at my earliest recitals and concerts. Seeing their proud, smiling faces in the audience helped me understand that music could be a meaningful part of my life. They both passed away right before I started high school, but the confidence and grounding they gave me continue to shape who I am and the work I create.
What fear has held you back the most in your life?
The fear of failure has been my biggest challenge. Working as a musician means being constantly evaluated by colleagues, directors, and audiences, and that level of scrutiny can take a real toll. When I began subbing on Broadway, the pressure not to make a single mistake became overwhelming. The stakes felt so high that I developed physical tension while playing and started second guessing every decision. With the support of my partner, who understands the industry firsthand, and the guidance of a wonderful therapist, I have been able to work through many of the mental roadblocks caused by my perfectionism. I am now much more relaxed and focused when performing in high-stress environments, and I feel more connected to the joy of making music.
Sure, so let’s go deeper into your values and how you think. What’s a belief or project you’re committed to, no matter how long it takes?
One belief I am committed to, no matter how long it takes, is creating real pathways into this industry for musicians from marginalized backgrounds. I know firsthand how difficult it is not only to break in, but to build a sustainable career as a performer. Because so much of freelance hiring relies on word of mouth, musicians must depend on networking and presenting a strong reel and resume in addition to their musical ability. Developing these skills can feel overwhelming when you are just starting out, so I make it a priority to support younger musicians as they navigate those early steps.
Whenever someone who is just starting out reaches out for guidance, I always make time for them. But for me, it is about much more than a single meeting or a quick piece of advice. I believe deeply in long-term mentorship: building lasting relationships, helping young musicians develop the tools they need, and making sure they feel supported as they grow.
I am equally committed to making sure the rooms they enter are prepared to welcome them. Advocacy for accessibility and inclusive practices is often overlooked in performance spaces, and I see it as my responsibility to speak up and help create environments where people can truly thrive. This work takes time, but it is something I will continue to show up for throughout my career.
Okay, we’ve made it essentially to the end. One last question before you go. When do you feel most at peace?
Very simply, I feel most at peace when I am creating. Weather it’s writing music, collaborating on a new piece, or improvising, I just love making art.
Contact Info:
- Website: https://www.nicoledemaiomusic.com/
- Instagram: https://www.instagram.com/nicole_demaio
- Youtube: https://www.youtube.com/@nicoledemaio4473
- Soundcloud: https://soundcloud.com/nicoledemaiomusic
- Other: https://nicoledemaio.bandcamp.com/track/where-i-was
Image Credits
Erika Kapin
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