Meet Mario Ricardo Rodriguez

Alright – so today we’ve got the honor of introducing you to Mario Ricardo Rodriguez. We think you’ll enjoy our conversation, we’ve shared it below.

Hi Mario Ricardo, so happy to have you on the platform with us today and excited to chat about your lessons and insights. Our ability to make good decisions can massively impact our lives, careers and relationships and so it would be very helpful to hear about how you built your decision-making skills.

I developed my decision-making skills through a combination of introspection and life experience by consistently engaging in self-reflection and learning from real-world situations. Each day, I take time to reflect on my decisions and actions through the practice of Morning Pages, a writing technique I adopted from Julia Cameron’s book, “The Artist’s Way.” Early in the morning, when it is quiet, I get the perfect opportunity to evaluate what worked, what didn’t, and why from the previous day. These reflections help me understand my strengths and weaknesses. After I have written out the previous day’s successes and failures, I set daily objectives that support my long-term goals. By prioritizing daily tasks, I create a direction that aligns decisions with my overall objectives.

When I first began my morning pages, I encountered this negative voice, this critic that seemed to tell me that I was doing was not worth much. What I wrote didn’t matter, what I did had little value, nobody cared, etc. Secrecy and shame fueled my imposter syndrome, but overcoming it required finding emotional balance, compassion, and wisdom from within myself. By writing down my experiences, I came to find that there were moments that were beyond my control and I was being given the chance to forgive myself and let go whatever trespass from the past. This of course is an ongoing battle, but by acknowledging my own strengths and achievements, I cultivated a sense of self-assurance. I manage my self-doubt by fostering a supportive inner dialogue and viewing my progress objectively in order to develop a confident and resilient mindset.

Ray Dalio’s principle that “pain + reflection = progress” resonates deeply with my approach. Through these daily morning pages, I have learned how to embrace my mistakes and see them as opportunities for growth. Each misstep and failure has provided me with valuable insights that continue to guide my present and future decisions. Plus, I get to experiment with new approaches all the time. I find that trying different methods and adapting based on the outcomes helps me find what works best. After making a decision, I analyze the outcomes thoroughly and I commit them to memory. Understanding the results of my actions helps me refine my decision-making process.

I use my reflections to guide my actions and let my experiences from those actions inform my self-reflection. I view decision-making as a skill that can always be improved. I stay flexible and open to change because I find it crucial to be able to adapt my decisions based on new information and changing circumstances. The more I practice making decisions, the better I become at it and my confidence in taking action on my decisions grows. This confidence further enhances my ability to take action on sound decisions.

Making decisions is a form of taking action. When I make a decision, I commit to a particular course of action, which initiates a process that leads to specific steps and activities. This commitment provides me with purpose and responsibility for the outcomes. This commitment drives the necessary actions to achieve the desired outcome.

There is value in pausing and re-evaluating circumstances before acting – to see situations from different angles. Whenever I have a question, feel unsure of the answer, or do not know the direction to take, I make an effort to pause and evaluate. I make sure that I make well-considered choices. Does it take longer? Yes, sometimes. Often, good decision-making involves sacrificing immediate gratification for long-term benefits and prioritizing excellence over short-term comforts or gains. The best outcome often requires patience and foresight, which have never come easy for me. Often times, I want to go fast, but if I am lucky, I remember the saying, “Slow is smooth, and smooth is fast.”

You may ask, why does your decision-making style matter? Well, in my career as a filmmaker, I desire to create a collaborative, adaptive, and thoughtful environment where everyone feels heard and valued, ultimately, enhancing the entire film-making process. My patience allows me to consider multiple perspectives and incorporate input from actors, crew members, and producers, while creating a single, more cohesive, and unified vision. For actors, this means their creative contributions and questions are acknowledged, and their performances flourish. For the production crew, it ensures that stylistic, logistical, and technical aspects are carefully planned and executed. For producers, it means the project remains aligned with overall goals, and resources are used effectively.

As a leader, I prioritize long-term benefits over short-term comforts. By doing this, I focus on producing high-quality work. My dedication to excellence resonates with everyone involved, as it demonstrates my commitment to achieving the best possible outcome, even if it requires extra effort or adjustments along the way. I have found that actors appreciate a director who is committed to their craft, the crew respects a leader who is thorough and prepared, and producers value a filmmaker who maintains the project’s integrity and financial efficiency.

Over the last 4 years as a director, I have learned from both successes and failures. Each success and failure has provided me with a new tool necessary to guide a team with confidence and empathy. My experiences have enabled me to provide insightful direction that helps actors navigate their roles, ensures the crew can execute their tasks effectively, and reassures producers that the project is in capable hands. I encourage a flexible and dynamic set environment where our adaptability ensures that we can respond to unexpected challenges and make real-time adjustments that enhance the film and story.

Actively seeking different viewpoints helps me to see beyond my own biases, leading to more balanced and informed decisions. This inclusive approach creates a collaborative atmosphere where everyone feels comfortable sharing their ideas and contributing to the creative process. By listening to diverse perspectives, I gain a deeper understanding of the story and the characters being brought to life. This enriches the narrative and adds layers of complexity to the characters, making them more authentic and compelling. Actors feel supported and inspired, as their insights shape their performances. The director of photography, the production designer, and the editor feels their expertise are being utilized, enhancing the technical and artistic quality of the production. Producers feel confident in the collaborative and transparent decision-making process, knowing that every aspect of the project is considered and refined through collective input.

Through my decision-making style, I create a supportive, flexible, and deeply rooted practical experience. By reflecting on the process, actively seeking different viewpoints, learning from diverse perspectives, and developing actionable steps I am able to produce well-rounded choices that bring the teams I lead to the finish line.

Thanks for sharing that. So, before we get any further into our conversation, can you tell our readers a bit about yourself and what you’re working on?

Q: Tell us more about yourself, your story, and what you are focused on professionally.

I am Mario Ricardo Rodriguez. I am a passionate filmmaker and fine art photographer, and I have been immersed in visual storytelling over the past 20 years.

My story…Well I’ll try to keep it short, so here goes. The year was 1989 and the Iron Curtain had just fallen. The Cold War had ended, and life was beginning to heat up. What? Professionally? So not from the beginning? Right. Got it.

My dad was forever taking photographs of my sisters and I. I was striking poses like a Power Ranger and almost always smiling in all the photos I was in. I was a teenager when he told me I could have his Canon AE-1. When I got my hands on that camera, I had this intuitive feeling that I had found what I was actually good at.

As a teenager, I competed at a Track & Field sprinter and I played in a couple sports, but at some point it became pretty apparent to me that I wasn’t getting taller, faster, nor stronger. Some of my classmates were actively getting faster and stronger, but at that age, genetics plays a big part in overall physical growth. Now, with this camera, I felt that I had found my “talent.” Something that I could be better at than everyone else.

My high school offered a photography class with a darkroom. I spent as much time in that darkroom as possible. My senior year, I was even skipping one of my classes to go spend time in the darkroom to develop film or enlarge a photograph. Over the next decade, my focus turned to learning everything I could on how to capture and create a photograph, a piece of art. I took classes, read books, watched how-to videos, and I worked on countless movie sets as a grip and light technician to learn how to create mood and atmosphere.

In 2012, in my first film-making class at USC’s School of Cinematic Arts, we were assigned with writing, directing, shooting, editing, and sound designing a 5 minute no dialogue short film all on our own. I wrote a story inspired by a poem my sister had written. The story was about a woman with a black-eye who is cooking dinner. As she chops vegetables, her husband comes home from work and tries to be sweet to her by giving her a kiss on the cheek. He smiles while eating his dinner, and ultimately, ends up getting poisoned. He dies, she slaps him across the face when he’s already down on the ground, and scene, fades out, end credits.

With the lack of time – which is most usual on film productions – and with how quickly I put it together, I knew I had not made groundbreaking cinema. But my directing instructor, the head of the directing track at USC, Everett Lewis, asked me an interesting question, “What do you aspire to be?” I said, “I want to be a cinematographer.” He responded, “Hmm…” He went quiet for a few seconds – dramatic beat. “I think you should reconsider and follow a directing track.”

That made me feel good. I thought I did well. I passed my first test. However, thinking I knew what I wanted, I dismissed his suggestion and focused on cinematography. I was a young film student who had taken out an enormous loan to go to school, and when I was not at school, I was working on gigs as a lighting technician and grip. At the time, I didn’t have enough money to fund the films I was obligated to direct. I barely had enough for my basic necessities and my bad habits.

At the end of my first year at USC, the summer of 2013, my family and I were evicted from our home. Needless to say, becoming a director was not at the forefront of my mind. I doubled down on becoming a day player working shifts as a lighting tech, grip, assistant camera, whatever I could do to keep the film dream alive while still having enough for life’s expenses. I still remember that first month. At night, I would pick, choose, pack and transport what I could fit into my car and move it to my mother’s apartment; during the day, I worked 12 hour shifts for minimum wage. On the first week of our eviction, I booked three productions in a row as a grip, which stacked day, night, day, 36 work hours plus driving between set locations. This experience led me to falling asleep behind the wheel. Luckily, I woke up before impact and managed to stop myself. Note to the young: DO NO TRIPLE DIP. No paycheck is worth your life or someone else’s for that matter.

In Spring 2015, with the love and support of my wife, then girlfriend, who provided me with a roof over my head, I finished most of my schooling and I walked at graduation. That same year, I helped produce a short film with a friend of mine from USC. His childhood friend wanted to direct a film and needed help. As I mentioned earlier, I didn’t have much money, but I had access to other resources that would have cost money to rent. I gave use to these resources freely (you can see them in the film), and it was completed in the summer just in time for festival submissions. But, when it came time to submit the film to the student Oscars, my classmate asked me to sign a paper saying that I was not a main producer on the film. That hurt. The whole I was operating under the Three Musketeers belief, “All for one, and one for all.” I signed it, sent him away, and I haven’t seen him since. They went on to produce the feature version of the short film and failed to include me in the production. Two lessons here: One – always sign a contract detailing your role on a production, even when dealing with friends. Two – not everyone deserves your friendship and energy, and as soon as you find those energy vampires and leaches, lose them.

In 2017, after my downward spiral, I was reborn again. I got my first job as a camera operator at EstrellaTV on a show called Tengo Talento, Mucho Talento. I did two seasons on that show shooting contestant biographies until I was offered a full-time position as a field news camera operator for the studio’s news division, Noticias 62. I took the position because I had just become a father and I needed a stable income. I gained income “stability,” but during my time working with the news channel, new fears entered my psyche. On a daily basis, I witnessed nothing but tragedy – suffering, crime, natural catastrophe and death.

At home, my son was breathing hope into my life; at work, I was capturing misery and the destruction of life for instant packaging and sales to audiences for profits. Silently, for a year, I balanced on the tightrope walk of my mental and emotional well-being. Yet, serendipity would have it that I receive my camera operator paperwork signed by the human resource representative on the same week he was leaving the company. As soon as I had my paperwork in hand, I joined IATSE Local 600 – International Cinematographer’s Guild. Another notch to add to my shoulder in my filmmaking career.

I left EstrellaTV with so much confidence. I didn’t look back or think twice. Now that I was a member of the union, I thought I would now be able to work union shows as a camera operator making union wages. Oh how wrong I was. I paid the union just over $9,000 to join, with no real guarantee of work. The union said, “Put yourself on the available list.” I did that, and quickly realized there were hundreds of members on those lists, most with more experience than myself, all hoping for the same opportunity.

As a union member, I took advantage of most of the Camera Operator classes being taught by members of the Society of Camera Operators (SOC). There was one moment that finally opened my eyes and brought my life into focus. My Angel guides wanted me to see and hear this years ago, but I was too stubborn and close minded to see and accept. It was April 2019 when I attended a SOC Speed Mentoring event being held at Canon Burbank. There, I got 1-on-1 time with veteran operators to ask about anything related to the craft of Camera Operating. This was a rare opportunity to discuss some of the aspects of working as a Camera Operator in the industry, techniques on getting the perfect shot, and even handling relationships on set. I received a lot of the same advice that it was up to me to go build a network and get on a show as a “C,” maybe even a “D” camera operator with a SteadiCam. I didn’t own a SteadiCam, mind you. I nodded and smiled taking in the information.

The moment came when I sat with Eric Fletcher, SOC, known for TV shows like Dexter and True Blood. I asked him why I wasn’t being hired when I put myself on the available list, even when I was in the top 5 of that list. He said the easiest way to get hired was to be a “Diversity Hire.” I told him that I had put myself on the “Diversity” list that was sent out by the Local 600. He then told me that I was not a diversity hire. I responded, “I am Latino.” He said being Hispanic does not qualify me as a diversity hire. “Black, Asian, women, LGBTQ+, that is diversity.” I furrowed my eyebrows. He must have seen the confusion in my eyes. He leaned forward, and said, “You’re white.” Needless to say, I was in shock. I had been called “gringo” by brown skinned Latinos in the past, which I would normally laugh at, but I had never in my life been called “white,” by a white man. I figured he was just bitter about losing jobs to “Diversity Hires.” I looked at my arms, showed them to him, and he showed me his arms. They were just as sun-burnt as mine.

It is all really confusing. Identity. Edward James Olmos in the movie Selena where he plays Selena’s father, Abraham Quintanilla sums it up best. “We have to be twice as perfect as anybody else….We have to be more Mexican than the Mexicans and more American than the Americans, both at the same time! It’s exhausting!”

Somehow, I regained my composure from the shocking news. I asked him, “If I am not going to get hired as a camera operator any time soon, what is the next step up the ladder?” He thought for a moment, then responded, “There are two paths – you can become a cinematographer or you can become a director.” I was one step away from my first ambition of becoming a cinematographer, but I was also one step away from becoming a director. I was at a crossroads. I knew both paths would take work and perseverance to attain, but I thought to myself, which one would bring me the satisfaction I so desired.

I started learning how to write stories and screenplays while I worked as a freelance gaffer and camera operator for Condé Nast. A year later, the lock downs happened and I knew there were no lifeboats coming. The film industry closed and very little was being produced. A month later, I heard that the US Census was holding a contest with prize money called 2020 Census – Get Out The Count Video Challenge. While everyone stayed home, I invested some of my savings and decided to go outside to shoot a commercial. I didn’t win the contest. I really wanted that $30,000 grand prize.

That summer, I saw a job ad on Indeed looking for a “Director / Shooter.” I was not entirely confident I should apply, but it kept popping up week after week in my email, until I decided to shoot my shot and give myself a chance. I sent in my resume along with my recently shot Census commercial and a few other pieces from my portfolio. Six months later, after an intensive interview process where I was put through the works, I was working and getting paid as a director and cinematographer for short dramatic films for a YouTube channel called Dhar Mann Studios.

I worked for Dhar Mann Studios for exactly one year. During that time, I directed and shot 70 short films in 52 weeks, while working anywhere from 50 to 65 hours a week. I loved working at Dhar Mann Studios. I loved the people I worked with, every actor and crew member. However, I left due to the production manager’s disrespectful nature and of course, my own personal pride. I gave this company the best of me everyday and in the end, I was asked to “change” or be “let go.” Unable to tolerate the threat, I left. There was no more room for growth at that company. I learned what I had to learn and now it was time to change as the production manager put it.

Which brings me finally to what I am focused on professionally today. Since leaving the full-time directing job, I have had a handful of directing opportunities, one being a fan film series produced by Urban Renaissance Entertainment called Triggered, which has won over 30 awards at various film festivals domestically and internationally. I have worked for PocketFM as a Director for Hire. And the best continuous directing project yet has been being a father to my son, Apollo. His opinion of me is the only one that honestly matters to me. My purpose of accomplishing my dreams and career desires are fueled by my personal desire to show him that with work, perseverance, and a vision, any dream is achievable.

When I left Dhar Mann Studios, I took a two week break to write and gather my thoughts on my next step. I decided to go back to my first love, the still image, photography. Now equipped with years of experience, I took the leap of faith to become a fine art photographer. I decided that my focus would be centered on creating and capturing artistic nude pieces where our vulnerability actually is our strength. Upon developing the first few rolls of film, I was terrified. I had photographed something that had been already done by many hundreds, if not thousands, of people before me. I was devastated and began to doubt my abilities and my choices. However, I stuck to it. I kept working on it, I kept experimenting, I reflected, and most importantly, I kept playing with the medium and all the tools that I had learned over the last decade.

Finally, in April of this year, I had my first art exhibition at a gallery in Sierra Madre, CA called The BAG – The Baldwin Avenue Gallery. This was a special moment for me. From working in the darkroom in high school to attending USC’s film school, failing at building work relationships, becoming a director, then leaving the full-time gig at the Youtube channel to become an artist, my dream finally came to reality. And I want to thank Mary and Michael Todd-Serr for giving a hungry relatively young man a chance, welcoming me into their gallery, and showcasing my artwork.

As I move forward, my focus is on leveraging my strengths and surrounding myself with a supportive community. I believe in the power of teamwork and collaboration, recognizing that true success is achieved through mutual effort and shared vision. Certain things did not come to pass as I had expected, but I thank God for having allowed me to experience so much in such a short time period and to learn and grow from it. My goal is to continue evolving as an artist, creator, and filmmaker, always striving for excellence and authenticity in every project I undertake.

That’s my professional story, so far.

Q: What do you feel is most exciting or special about what you do?

What excites me the most about my work is the endless possibility for creativity and experimentation. Each project is a new adventure, a chance to explore different perspectives and push the boundaries of visual storytelling. For instance, my artwork collection reflects my desire to innovate and blend traditional 35mm photography with contemporary digital art techniques.

One of my most special works is “Galactic Dream.” The artwork is inspired by profound themes of voluntary solitude and the courageous departure from comfort zones to seek deeper understanding and enlightenment. It encapsulates the transformative journey of leaving behind the known for the unknown and in doing so also exploring the realms of personal growth and spiritual awakening.

Another significant work is “Cactus Garden,” inspired by the stark contrasts of human existence—our vulnerability versus our capacity to endure. It features a woman in a cactus landscape, her exposed state and resolute demeanor illustrating the balance between human sensitivity and inherent strength. This piece reflects our personal struggles and resilience. It portrays a nude woman protecting her dignity while confronting the viewer, set against a cactus garden using double exposure to depict our hardships and the defenses we construct. My aim with this piece is to resonate with the audience, evoking feelings of empathy, resilience, and unity.

I can tell you that this is what it means to me, but what I find most interesting is what others see, think, feel, and how they react and perceive from the pieces. By sharing my artwork, I learn from the audience.

What excites me the most about what I do is the profound connection and collaboration involved in my artistic process. My work thrives on the creative synergy I share with others, whether it’s actors, models, fellow filmmakers, or other artists. The blending of ideas, the exchange of perspectives, and the shared passion for creating something beautiful and meaningful is incredibly fulfilling. This partnership fuels my creativity, enriches my projects, and makes each endeavor unique and special. It’s this collaborative spirit that makes my work dynamic and deeply rewarding.

Q: Is there anything new you’d like to share with our readers?

I’m excited to share that some significant developments are on the horizon for my business. I’ve recently printed and framed two new photographs, which will be showcased in an upcoming exhibition. I’m also continually expanding my portfolio with new pieces that reflect my evolving artistic vision.

I’m entering a period of growth and abundance, with new projects and collaborations that promise to be both fulfilling and prosperous. Moving past previous challenges, I’m now coming into a phase where past struggles are transforming into opportunities. This journey has strengthened my resolve and sharpened my vision, allowing me to embrace the future with renewed confidence and excitement.

I invite everyone to visit my website, marioricardorodriguez.com, where you can explore my latest works, learn more about my creative process through my blog, reach out to me by email if you’d like to collaborate, and subscribe to my newsletter to stay updated on upcoming events and launches. You can also follow me on Instagram @marioricardofilm or on X @iamMarioRicardo.

There is so much advice out there about all the different skills and qualities folks need to develop in order to succeed in today’s highly competitive environment and often it can feel overwhelming. So, if we had to break it down to just the three that matter most, which three skills or qualities would you focus on?

Reflecting on my journey, three qualities have been particularly impactful: Passion, Focus, and Perseverance.

Passion has been the driving force behind everything I do, even in times when I’ve felt stuck or uninspired. It has helped me see things from new perspectives and break free from stagnation. Even when hope seemed distant, my passion for visual storytelling kept me going. It fuels my creativity and keeps it alive, driving me to get up every morning, eager to create and explore new ideas. For those early in their journey, find what truly excites you and let it be your guide. Passion will give you the energy and motivation to push through difficult times and keep your work authentic and heartfelt. Be open to seeing things differently to reignite your enthusiasm. Even if you face moments of doubt, surrounding yourself with inspirations can help you reconnect with your initial spark and remind you why you started.

Focus has been essential in channeling my creative energy into productive work. With strategic thinking and careful planning, I’ve been able to concentrate on my objectives and be mindful of how I achieve them. By being strategic, I’ve successfully navigated challenges and avoided pitfalls. This focus has allowed me to set clear goals and stay on track, whether I’m working on a new project or developing a new skill. Develop your focus by setting specific, achievable goals and creating a structured plan to reach them. Be strategic in your approach—think ahead, anticipate obstacles, and plan accordingly. Minimize distractions and allocate dedicated time to work on your craft. Be mindful of your actions and decisions, ensuring they align with your long-term vision. Clarity of purpose will help you navigate through the noise and stay aligned with your goals.

Perseverance has been essential in sustaining my career through its many ups and downs. The creative path is often challenging, and the ability to keep going, even when things get tough, has been key to my growth and success. The importance of patience and long-term commitment is clear. Just as a farmer tends to their crops, I’ve nurtured my projects and ideas, understanding that success doesn’t come overnight but through consistent effort and dedication. Cultivate perseverance by maintaining a positive mindset and viewing setbacks as opportunities for growth. Stay committed to your goals, and don’t be afraid to put in the hard work. Every challenge I’ve faced has been a stepping stone toward improvement, and each failure has provided valuable lessons. I remind myself that every great achievement results from persistent effort and determination. Love the process, trust in your journey, and know that your dedication will bear fruit in due time.

These are the three qualities I use on a daily basis to create excellence in my career. Let your passion energize you, use focus to direct your path, and rely on perseverance to sustain your journey. With these guiding principles, you’ll be well-equipped to navigate the challenges and triumphs of your creative endeavors.

Do you think it’s better to go all in on our strengths or to try to be more well-rounded by investing effort on improving areas you aren’t as strong in?

What a good question…I find myself leaning toward arguing for both approaches.

For many years, I focused on becoming more well-rounded by investing time and effort into improving my weaknesses. This involved letting go of bad habits, healing past traumas, and working on areas where I felt less competent. Through this inner work, I inadvertently developed strengths.

Interestingly, many people are unaware of their true talents and strengths. For example, when I first started film school, I aspired to be a cinematographer. Others saw potential in me as a director, but I lacked the confidence to see it in myself. I hadn’t yet done the work to believe I could accomplish it.

Now, as I approach my mid-30s, I’ve shifted my focus to going all in on my strengths. I’m channeling my energy into my passions and using my inner fire to drive my pursuits. This intense passion, sometimes bordering on obsession, drives me forward. My lifelong love for photography and my decision to return to it after years in film-making reflects this powerful drive.

Photography and storytelling has been my passion for the past two decades, and there’s no time like the present to pursue it fully and going all in. By believing in my strengths, taking initiative, practicing, preparing, and facing challenges with courage, I know I am positioning myself for success. My strengths have allowed me to break free from the limitations of focusing solely on my weaknesses and to push towards living a life that is incredibly fulfilling, productive and most importantly, satisfying.

Focusing on my strengths has allowed me to excel in areas where I was already naturally inclined and passionate. For instance, when I decided to return to still photography after years of working on film sets, I felt a renewed sense of purpose and clarity. Years of practice had sharpened and enhanced my skills.

Believing in your strengths gives you the confidence to push boundaries and explore new opportunities. Focusing on what you’re good at naturally propels you to take the initiative and start new projects or ventures. Being well-prepared in your area of expertise positions you for success when opportunities arise. Pursuing your strengths often requires courage to face challenges, take risks, and push through to the other side.

Lastly, but perhaps most important of all, is finding those “firelighters” in your life—people who spark, ignite, and sustain your fiery passion. Equally important is distancing yourself from the “firefighters”—those who pour water on your dreams with negativity and doubt. My supportive relationships are vital in maintaining my fiery drive. I am reminded of the saying, “Tell me who you hang out with, and I will tell you who you are.” Surround yourself with people that hold you up high instead of push you down. People will help you reach your goals, but some people will also make sure you do not if you let them.

From within, I have found my liberation by going through the hardships. I have found what I’m naturally good at, being a leader. While becoming well-rounded has its merits, I believe that fully investing in your strengths can lead to greater personal fulfillment and success. As a leader, wherever I am weak, I seek out teammates and collaborators who possess the knowledge, know-how, tools and their own strengths to bring out the best in both of us. Surround yourself with supportive people who believe in your vision, and let your strengths shine. Remember, teamwork multiplies. Finding the right collaborators can amplify your strengths, fill in the gaps where you are weak, and ensure mutual success and excellence.

Contact Info:

• Website: https://www.marioricardorodriguez.com/
• Instagram: https://www.instagram.com/marioricardofilm/
• Linkedin: https://www.linkedin.com/in/mario-ricardo-rodriguez-356a3735/
• Twitter: https://x.com/iamMarioRicardo

Image Credits

Matt Ishizuka – He took the two photographs of me on a film set fixing the camera and thinking with a pen in hand.