Meet Mildred Mariel Pérez

We’re excited to introduce you to the always interesting and insightful Mildred Mariel Pérez. We hope you’ll enjoy our conversation with Mildred Mariel below.

Hi Mildred Mariel, so excited to talk about all sorts of important topics with you today. The first one we want to jump into is about being the only one in the room – for some that’s being the only person of color or the only non-native English speaker or the only non-MBA, etc Can you talk to us about how you have managed to be successful even when you were the only one in the room that looked like you?

I think that happened to me when I came to Texas to pursue my master’s degree in jazz studies at the University of North Texas. I mention this experience because it’s relatively recent. I believe I had a strong sense of purpose from the start, and I focused on that. At the time, I wasn’t thinking too much about the external — about how others saw me. I was very clear about why I was there, and my way of protecting myself from what people might think or say about me — as a woman, as someone from another country, and as someone playing an instrument traditionally played by men (although that’s thankfully changing) — was to guard my energy and stay focused on my goal: to learn.

I didn’t come with the intention of proving anything to anyone, or of being the best, or of being liked by everyone. I stayed true to my values and my goals, and that helped me succeed in that space. And I say “succeed” because I did what I came to do — using my tools, my resources, and always giving my best. I never missed a class, I was always on time, and I stayed fully committed.

So I think it’s a mix of dedication, self-awareness, and not letting my surroundings change how I saw myself. On the contrary, I allowed myself to be nourished by what was helpful and turned that time in my life into a moment of real growth and inspiration.

Appreciate the insights and wisdom. Before we dig deeper and ask you about the skills that matter and more, maybe you can tell our readers about yourself?

My name is Mildred Mariel Pérez. I’m a jazz double bassist originally from Mexico City, and I currently live in the Dallas–Fort Worth area in the United States. I primarily work as a performer. Right now, I’m developing my own project: the Mildred Mariel Jazz Orchestra. I’m also collaborating with my friend from across the world, pianist Aakash Sridhar. Together, we lead a duo called East Meets West, which brings together the things we both love — Akash’s original music, my own arrangements, and soon, some of my original compositions as well.

I’ve also had the opportunity to collaborate with vocalist Cherish Love in her role as musical director, working together on productions such as In the Heights and Ain’t Misbehavin’. Another fun and meaningful part of my artistic life is playing in a rock-cumbia band called Yolanda Cruz and the Daydreamers, led by Californian singer-songwriter Yolanda Cruz.

What’s most exciting to me about my career is the constant growth and expansion — musically, professionally, and personally. I’m also starting to explore my path as a teacher and educator. And I’m open to wherever life takes me — whether that’s continuing my journey here in the U.S. or somewhere else in the world.

Looking back, what do you think were the three qualities, skills, or areas of knowledge that were most impactful in your journey? What advice do you have for folks who are early in their journey in terms of how they can best develop or improve on these?

Looking back, I think three qualities or skills that have had a big impact on my journey are kindness, courage, and discipline.

Kindness goes a long way — especially in how we communicate with our colleagues, teachers, and friends. I believe that being clear and respectful when we express ourselves — whether we’re asking for something, declining an opportunity, or just showing up for someone — creates stronger relationships and opens more doors. For me, kindness has helped build the connections that led me to where I am today, including moving to the U.S. and playing with amazing musicians.

Courage has also played a huge role. I wouldn’t exactly call it a skill, but I do think it’s a virtue we all carry within us. Being brave enough to do something even when you’re scared or unsure often brings unexpected and beautiful results. It teaches you about yourself — where you can go and how far you’re capable of reaching. And the truth is, once you get to one place, you’re already dreaming of the next step.

And then there’s discipline. It’s true that motivation isn’t always there. But what matters is consistency — even small efforts make a difference. Actually, I don’t believe there’s such a thing as a “small” effort. As long as we’re showing up, staying curious, and moving forward, that’s already a big win.

If I could share any advice with those who are just starting out, I’d say: be patient. Surround yourself with people who bring out the best in you, and keep a positive mindset. We don’t always choose our friends for strategic reasons — we connect with them because of who they are — but we can always learn something positive from the people around us. And don’t be afraid to ask for help. That’s something I’ve had to learn over the years. Whether it’s a question, a doubt, or just needing some guidance, speak up. People can’t always know what you need unless you tell them.

Do you think it’s better to go all in on our strengths or to try to be more well-rounded by investing effort on improving areas you aren’t as strong in?

I believe our strengths can actually be nourished and deepened by the areas where we’re not as strong. I see this all the time in music. For example, I’ve often wished I could be a better improviser. I know that when I’m on stage, I can do what’s expected of me — I don’t freeze, I can play — and sometimes people don’t say anything negative. But just because no one points it out doesn’t mean it isn’t something I could improve. Especially if I recognize it as an area of opportunity.

So, if improvisation is a weak spot for me, I try to work on it in a way that feels supportive. I do transcriptions, I write out my solos or bass lines. That helps me feel more confident — and eventually, what once felt like a weakness becomes a strength.

Another example: I’ve always found socializing a bit challenging. But whenever I go to a concert, I try to push myself just a little — say hi to a fellow musician, stay a bit longer after the show. Not because I’m forcing myself to network and collect contacts, but because it helps me slowly build the social confidence I might need in other situations where I feel unsure.

So to me, it’s not about choosing between focusing only on strengths or trying to be well-rounded — it’s about recognizing that both things feed into each other. Working on your weaker areas can strengthen your overall presence, your confidence, and even your strongest skills.

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Image Credits

Marcy Bishop
Mildred Mariel Pérez

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