Meet Pearl Berger

We recently connected with Pearl Berger and have shared our conversation below.

Hi Pearl, so excited to have you with us today, particularly to get your insight on a topic that comes up constantly in the community – overcoming creativity blocks. Any thoughts you can share with us?

Over the years, I’ve coached myself to normalize blocks that inevitably arise during the creative process. Rather than overanalyze the reasons or see them as problems, I think they’re more akin to lulls between creative waves. A few techniques have proved helpful in this regard. My first step is perusing the books written by Eric Maisel, Ph.D., a well-known creativity coach (his “Coaching the Artist Within” and “The Power of Daily Practice,” for example, are excellent resources for all kinds of artists). Second, taking a break for a few days from my studio can help “cleanse the palate,” but I will not let it go longer than that — prolonged inaction can be counterproductive when it comes to getting motivated or unblocked. Sometimes, organizing the studio, rearranging tables, and just generally making a few minor changes can spur the momentum. Finally, connecting with artists in my community is crucial. I am fortunate to be a part of SRQ East Art Studios in Sarasota — and the other artists who share the space always are sources of inspiration for me.

Thanks for sharing that. So, before we get any further into our conversation, can you tell our readers a bit about yourself and what you’re working on?

I am an abstract expressionistic artist who now works exclusively with oil and cold wax medium. Cold wax is made from beeswax, solvent, and resin, forming a paste-like consistency when mixed with oil paint. This method instantly captivated me; its rich textural possibilities and tendency to build complex surfaces appealed to my sense of dimension. Also, the medium’s very nature often leads to unpredictable results, further adding to the organic quality in my abstract work.

I would like to note that I’m currently represented by Define Gallery on Palm Avenue in Sarasota. My solo show, “Orbital Abstractions,” is featured in their Case Gallery throughout January. The exhibit’s 20 variously sized circular birch panels each symbolizes the cyclical nature of the seasons and perpetual renewal. Viewers may recognize the works’ themes of unity, balance, and interconnectedness in their own lives and the world around them. I also will be participating in a residency with other artists at Art Ovation in Sarasota from March 25 through April 1.

Looking back, what do you think were the three qualities, skills, or areas of knowledge that were most impactful in your journey? What advice do you have for folks who are early in their journey in terms of how they can best develop or improve on these?

Adjusting expectations to your match skill level, especially when starting out as an artist, is crucial. Initially, I took my first eight-week oil and cold wax workshop and gradually recognized that I was ready for a more advanced class. It has taken me six years to master the tools and techniques involved in working with this medium. When I prematurely took an advanced workshop, however, it negatively impacted my confidence. Luckily, though, I was motivated to stay with it, and I learned a valuable lesson: mastering the medium first was essential in developing my personal voice. I would advise novices to take the time to learn the basics of their particular art form. Take classes. If possible, find a mentor. Become part of an art community, either in person or online. Interacting with other artists is important for personal and professional growth, not to mention the added benefits of sharing techniques, tools, and tips that can enhance your own practices.

Okay, so before we go, is there anyone you’d like to shoutout for the role they’ve played in helping you develop the essential skills or overcome challenges along the way?

Jerry McLaughlin and Rebecca Crowell, who wrote the groundbreaking book for oil and cold wax artists (“Cold Wax Medium: Techniques, Concepts & Conversations”) have been pivotal to the evolution of my work. In March, I will attend my eighth workshop held by Jerry McLaughlin— after each time, I always feel that I leave a better artist then when I arrived. Also, I am in my fourth year as part of the Cold Wax Academy, the only online learning portal devoted exclusively to artists interested in cold wax. With more than 139 classes accessible at any time, each session has been instrumental in my continuing development as an artist.

Contact Info:

• Website: https://www.pearl-abstracts.com
• Instagram: @pearl_abstracts