Meet Remi Dessinges

We were lucky to catch up with Remi Dessinges recently and have shared our conversation below.

Remi, thank you so much for joining us. You are such a positive person and it’s something we really admire and so we wanted to start by asking you where you think your optimism comes from?

I wouldn’t say I’m always optimistic—no one can be, and that wouldn’t be realistic. But I do feel confident that I can handle whatever comes my way at work. This sense of hope really comes from experience. After tackling so many projects, working late hours, and facing difficult clients, I’ve learned that things work out about 99% of the time.

When you’re just starting out, it’s natural to panic and feel overwhelmed. But as you gain experience, especially in a team setting, you start to realize you’re not alone. There are people around you, sharing the load and working toward the same goal. That sense of community, of being part of a team where everyone is striving together, is what fuels my optimism. There’s something energizing about that shared drive, the way everyone pushes each other to go further. That collective energy really does keep you going, and it reminds you that, even during the tough times, you’re surrounded by people who’ve got your back.

Thanks for sharing that. So, before we get any further into our conversation, can you tell our readers a bit about yourself and what you’re working on?

I’m a CG artist, designer, and art director currently working at ManvsMachine in Los Angeles. My journey began in France, where I studied 3D at Supinfocom Arles. In 2008, I made the move to London and had the chance to work with some incredible studios like The Mill, Time Based Arts, and Electric Theater. That’s also where I first worked with ManvsMachine, starting out as a junior artist. London was an amazing place to kick off my 3D career—it’s full of studios, from major VFX houses to smaller, niche 3D boutiques. The community there is so close-knit and dynamic; everyone knows each other, and there’s this constant creative energy in the air.

In 2015, I made the move to Los Angeles. Electric Theatre Collective sent me out to help with their newly opened LA studio, and then, in 2018, I rejoined ManvsMachine, this time in their Los Angeles office. Today, I work as Head of CG there, which has been an exciting chapter in itself.

From the start, I wanted to know a bit of everything in the 3D world—to be able to jump in, offer something fresh, and help make things happen. My approach has always been about understanding the whole process behind creating short films and commercials so I can support clients and directors in bringing their ideas to life. Over the years, I’ve worked on around 70 projects, plus countless pitches and unfinished ones, and I’ve collaborated with amazing directors, studios, and clients like Nike, Sony, Apple, Lexus, and the NFL.

Now, leading a talented 3D team at ManvsMachine LA, my goal is to shape projects and work closely with our CG artists to create visuals that feel bold, fresh, and exciting. We’re not a traditional VFX studio—we’re design-driven, aiming for each image to feel striking and new to the viewer. We’re always experimenting, developing unique styles through new techniques in 3D, 2D, and editing.

Looking back, what do you think were the three qualities, skills, or areas of knowledge that were most impactful in your journey? What advice do you have for folks who are early in their journey in terms of how they can best develop or improve on these?

I’d say the three main qualities that have shaped my career as an artist are originality, curiosity, and collaboration.
Originality—the drive to stay unique and approach things differently.
Curiosity—the constant search for new knowledge, techniques, and fresh perspectives.
And finally, collaboration—the enjoyment of working with others, especially those in different fields, to share experiences, gain insights, and learn from one another.

For younger artists, I’d really encourage you to keep that creative spark alive. Find inspiration everywhere, not just in art, and don’t be afraid to ask questions, even if it feels a little vulnerable. Never shy away from asking about something you don’t know—people love sharing their experiences and knowledge, and by staying curious and open, you build genuine connections with those around you.

Before we go, any advice you can share with people who are feeling overwhelmed?

Feeling overwhelmed is something we face regularly in our field, especially with the tight deadlines that seem to be the norm now. There’s often the need to juggle multiple projects at once—each with its own creative and technical challenges—while also managing client relationships. When all of these factors combine, it can sometimes feel like too much.

But I’ve found that the key is to stay calm and tackle each issue one at a time, prioritizing by urgency and impact. Starting with the smaller tasks can give you a quick sense of accomplishment, which gives you momentum to move on to the larger challenges. Trusting in your knowledge and professionalism is also important. Reminding yourself that you’ve handled tough situations before can be grounding.

Staying positive goes a long way, too—reminding yourself that, with the right approach, almost anything is doable. With experience comes confidence. In my 15 years in this industry, I’ve never missed a deadline. Sure, there are times when the final product may not turn out exactly as you envisioned because you had to make adjustments for time or budget, but those are things outside of your control. At the end of the day, you know you gave it everything you had. And that’s really the takeaway—keeping your focus, using your skills, and trusting that you’ve got this, no matter the challenges.

Contact Info:

• Website: https://www.remidessinges.com
• Linkedin: https://www.linkedin.com/in/remi-dessinges-1844925/
• Other: https://www.behance.net/remidessinges

Image Credits

All images from Remi Dessinges