Meet Sebastien Courty

We’re excited to introduce you to the always interesting and insightful Sebastien Courty. We hope you’ll enjoy our conversation with Sebastien below.

Sebastien , appreciate you making time for us and sharing your wisdom with the community. So many of us go through similar pain points throughout our journeys and so hearing about how others overcame obstacles can be helpful. One of those struggles is keeping creativity alive despite all the stresses, challenges and problems we might be dealing with. How do you keep your creativity alive?
As a textile artist, I find that keeping my creativity alive involves a delicate balance of inspiration and exploration. I continuously seek out new experiences, whether it’s traveling to different cultures, immersing myself in nature, or visiting art galleries and museums. These encounters spark my imagination and offer fresh perspectives that I can infuse into my work.

Additionally, I maintain a dedicated space for experimentation and play within my studio. By embracing curiosity and allowing myself to take risks, I discover innovative techniques and ideas that breathe life into my creations. Collaborating with fellow artists and engaging with diverse communities also fuels my creativity, fostering a dynamic exchange of ideas and insights. Ultimately, staying open-minded, embracing challenges, and nurturing a passion for discovery are essential elements in keeping my creativity vibrant and evolving.

Great, so let’s take a few minutes and cover your story. What should folks know about you and what you do?
Textile has long been an essential tool to the human experience since the beginning of civilization. Fascinated by the diversity of craftsmanship and unlimited possibilities textiles offer, my vision of contemporary “Textile Art” moves fabric-based works beyond the category of woven tapestry into a more conceptual practice that embraces strategies otherwise found in painting, sculpture and architecture.

Based in New York since 2012 my Award winning “Art Studio” collaborates and works with interior designers, foundations, governmental institutions as well as art galleries embellishing both private and public spaces. My work was exhibited all around the world, including Paris, New York, Beijing and Dubai. Currently represented by two major Art Galleries in the country, my work was published in multiple Art and Design magazines such as Interior Design, Architectural Digest, Salann and Aspire Design & Home.

Not limited to fiber, my creations encompasses any materials that allow the hand-weaving or thread-drawing technique to invent contemporary forms of “textile art”. From recycled cables, glass beads to polyurethane thread, I work with a clear consciousness of environmental challenges. The large majority of my supplies are recycled, repurposed or sourced from fair trades. By reinventing old craftsmanships and ancient methods using recycled components, the unique artwork becomes a link between past and future in a thoughtful approach of sustainability.

If you had to pick three qualities that are most important to develop, which three would you say matter most?
Looking back, I would definitely say that resilience, adaptability, and a hunger for learning have been my most important skills and personality traits. Resilience keeps me going when things get tough, adaptability helps me roll with the punches and stay on track, and continuous learning fuels my creativity and inspiration.

For newbies, my advice is simple: stay tough, stay flexible, stay true to yourself, and never stop learning. These qualities will keep your creative flame burning bright through the ups and downs of the journey!

All the wisdom you’ve shared today is sincerely appreciated. Before we go, can you tell us about the main challenge you are currently facing?
Navigating through time and finances management with irregular contracts as a self-employed individual can be tricky. The biggest challenge for me is undoubtedly dealing with the unpredictability of income and workload fluctuations.

While there are no easy solutions, I’ve found that keeping a close eye on the budget, dividing my time wisely and maintaining a positive energy are crucial. My weekly schedule is organized into specific tasks, whether it’s dedicating a day to applying to calls for artists, following up on emails, or focusing on creative work and presentations. When work is slow I don’t seat around and wait. I create more and put some new concepts together which one day will become handy.
Last but not least, when starting a new business, diversifying income sources is inevitable and key especially as a self-employed artist.

I also make sure I have enough time for some daily essentials such as self-care and exercising to prevent being overwhelmed and anxious. So, by budgeting wisely, staying proactive and positive, and practicing self-care I’m navigating through the challenges of being a self-employed artist.

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